Harrison’s sculptures are part joke, part critique, and completely her own. Pop culture meets fine art in a mash-up that’s as smart as it is mischievous.

Hilma af Klint’s visionary paintings reveal abstraction as a spiritual and philosophical pursuit. Created decades before her contemporaries, the works challenge linear art histories and foreground intuition, symbolism, and unseen forces.

INDUCTION brings together the work of Tauba Auerbach and Éliane Radigue in a focused exploration of sound, vibration, and perception. The exhibition invites viewers into a shared sensory field where visual form and sustained tone unfold slowly, emphasizing attention, duration, and embodied experience.

Owens paints like she’s in on the joke—and maybe writing the punchline. Every canvas is part chaos, part genius, and completely alive.

Clear Day brings together Maureen Gallace’s quietly radiant paintings, where spare compositions and luminous color distill everyday scenes into moments of stillness and clarity. Small in scale but expansive in feeling, the works invite close looking and slow attention, rewarding viewers with subtle shifts of light, space, and mood.

Njideka Akunyili Crosby layers Nigeria and America in the same image—collage and transfer meet painting to map diasporic identity with intimacy and complexity.

Leslie Hewitt in collaboration with Bradford Young, Stills, 2016, installation view, Collective Stance, SculptureCenter, 2016. Three synchronized video projections

Leonard looks slowly and asks us to do the same. Her photographs linger on the edges of things—borders, seams, the places where one story touches another.