Shechet’s sculptures are all personality—leaning, twisting, almost breathing. She lets imperfection take the lead, and the result is pure joy.

Dia Beacon stages the first full survey of Whitten’s landmark Greek Alphabet series—abstract, layered, rhythmic—bringing renewed attention to a pivotal body of work that navigated structure, ink, and gesture.

At Dia Bridgehampton, Leslie Hewitt’s spare compositions and sculptural works quietly blur the boundary between photography and memory—casting the everyday into poetic resonance.

Fifty-two voices, five decades, one throughline: power. This exhibition looks at where feminist art has been—and where it’s still boldly going.

Simpson invites you inside a house built from memory, myth, and her own ancestral architecture. Rooms filled with ceramics, textiles, video, and sculpture guide a journey through home, identity, and transformation.

Black Atlantic brings together five artists whose works speak to the histories, migrations, and material cultures shaped by the African diaspora. Installed along Brooklyn Bridge Park’s waterfront, the exhibition reimagines public space as a site of resilience and reclamation—where sculpture, form, and narrative move fluidly between land and sea, past and present.

Liz Larner’s Don’t Put It Back Like It Was reconsiders sculptural form through gesture, gravity, and time. Known for reimagining materials from clay to stainless steel, Larner transforms the familiar into meditations on tension and repair.

Pattern meets physics. Language meets form. Auerbach builds worlds where everything vibrates just slightly out of sync—and that’s the point.

Wieser builds spaces that feel sacred and playful at once—mirrors, tiles, and gold leaf that make you part of the geometry.

B. Ingrid Olson bends architecture and the body until both start to shimmer. With History Mother and Little Sister, the Carpenter Center becomes a stage for mirrored limbs, carved reliefs, and architectural riffs that press photography and sculpture into playful, feminist conversation. Supported by Girlfriend Fund, these twin exhibitions are as sly as they are structural.