Grace Rosario Perkins builds paintings out of family, language, and repair. Text, symbol, and bold color layer into surfaces that read like personal maps. Supported by Girlfriend Fund, Circles, Spokes, Zigzags, Rivers traces the shapes that hold a story together.

Through clay and care, Reverend Joyce McDonald transforms pain into hope — her small sculptures evoke rest, resilience, and repair, breathing tenderness and power into every gesture.

Sherald paints Black life with quiet power and perfect poise. Her portraits glow from within—otherworldly yet unmistakably real. You feel the stillness, the grace, and the invitation to really see.

Semo turns sound into sculpture—massive bronze bells that you can touch, strike, and hear echo back at you. They ring with memory and presence, transforming the gallery into a shared moment of vibration.

Dyson’s monumental steel forms shape how you move and breathe through space. She’s thinking about freedom, geography, and the body—and how abstract art can hold all of that at once.

In her Dia Beacon solo exhibition, Renée Green weaves archival fragments, multimedia works, and poetic signage into a subtly disorienting narrative about geography, memory, and systems of knowledge.

Kim translates sound into something you can see. Her work is funny, sharp, and political in the best way—turning the rules of communication inside out.

Pat Oleszko has spent decades turning costume, inflatables, and outright silliness into sharp cultural critique. Fool Disclosure lets the puns loose at SculptureCenter, where humor is the delivery system for something pointed. Supported by Girlfriend Fund, it proves the fool has always been the one telling the truth.

Bhabha’s towering figures feel ancient and futuristic all at once. Rough, powerful, and oddly tender, they hold the tension of survival—scarred but standing tall.

Babirye’s sculptures are proud, loud, and full of soul. Made from discarded materials, they become royal—queer monumentality at its finest.

Janiva Ellis turns myth, ruin, and cartoon into a charged landscape where Western painting collides with cultural collapse. In Fear Corroded Ape, unfinished canvases become alive again, asking what it means for images to resist resolution. Supported by Girlfriend Fund, the show revels in the messy, uncertain space between history and possibility.

Kher’s hybrids—part goddess, part creature—rewire sculpture with bindi dots, cast bodies, and bronze power. Alchemies is a deep dive into transformation, myth, and material.

A show that’s all about connection—threads, textures, hands. Intimate works that expand the idea of weaving into something tender and radical.