In Flying Woman, Katherine Bradford presents a body of paintings centered on figures in motion—floating, leaping, and suspended against fields of luminous color. The exhibition highlights Bradford’s distinctive ability to balance vulnerability and strength, using simplified forms and saturated palettes to explore freedom, risk, and emotional resilience.

Girlfriend Fund is proud to support Loie Hollowell: Space Between, A Survey of Ten Years at The Aldrich Contemporary Art Museum — a landmark exhibition tracing a decade of the artist’s exploration of abstraction, form, and the body. Through luminous color and sculptural depth, Hollowell transforms intimate experience into radiant geometry, inviting viewers to step into the space where emotion and material meet.

Janiva Ellis turns myth, ruin, and cartoon into a charged landscape where Western painting collides with cultural collapse. In Fear Corroded Ape, unfinished canvases become alive again, asking what it means for images to resist resolution. Supported by Girlfriend Fund, the show revels in the messy, uncertain space between history and possibility.

In Across the Universe, Tomashi Jackson brings together abstraction, history, and political urgency, layering color, text, and material to explore how power circulates through public space, education, and collective memory.

Dia Beacon stages the first full survey of Whitten’s landmark Greek Alphabet series—abstract, layered, rhythmic—bringing renewed attention to a pivotal body of work that navigated structure, ink, and gesture.

Fifty-two voices, five decades, one throughline: power. This exhibition looks at where feminist art has been—and where it’s still boldly going.

Jacqueline Humphries transforms the language of abstract painting into a field of encoded gestures and digital symbology. jHΩ1:) expands her exploration of light, code, and mark-making, merging painterly instinct with algorithmic rhythm.

Hilma af Klint’s visionary paintings reveal abstraction as a spiritual and philosophical pursuit. Created decades before her contemporaries, the works challenge linear art histories and foreground intuition, symbolism, and unseen forces.

Owens paints like she’s in on the joke—and maybe writing the punchline. Every canvas is part chaos, part genius, and completely alive.

Clear Day brings together Maureen Gallace’s quietly radiant paintings, where spare compositions and luminous color distill everyday scenes into moments of stillness and clarity. Small in scale but expansive in feeling, the works invite close looking and slow attention, rewarding viewers with subtle shifts of light, space, and mood.

Njideka Akunyili Crosby layers Nigeria and America in the same image—collage and transfer meet painting to map diasporic identity with intimacy and complexity.