Shechet’s sculptures are all personality—leaning, twisting, almost breathing. She lets imperfection take the lead, and the result is pure joy.

Wieser builds spaces that feel sacred and playful at once—mirrors, tiles, and gold leaf that make you part of the geometry.

Mehretu’s paintings are storms—fast, dense, and electric. You can feel the motion and the meaning all tangled together, like cities seen from memory.

Jacqueline Humphries transforms the language of abstract painting into a field of encoded gestures and digital symbology. jHΩ1:) expands her exploration of light, code, and mark-making, merging painterly instinct with algorithmic rhythm.

Hard Cover brings together six artists—Rose B. Simpson, Jane Irish, Sharon Hayes, Howardena Pindell, Judith Scott, and Wilmer Wilson IV—whose work explores protection, exposure, and the narratives we hide or reveal through material. Across fiber, film, clay, and collage, each artist opens a conversation on the physical and psychological covers we build to survive.

Sze’s installations are like living constellations—bits of paper, projection, and light suspended in motion. You don’t look at them, you wander through them.

Leonard looks slowly and asks us to do the same. Her photographs linger on the edges of things—borders, seams, the places where one story touches another.