Semo turns sound into sculpture—massive bronze bells that you can touch, strike, and hear echo back at you. They ring with memory and presence, transforming the gallery into a shared moment of vibration.

Dyson’s monumental steel forms shape how you move and breathe through space. She’s thinking about freedom, geography, and the body—and how abstract art can hold all of that at once.

In her Dia Beacon solo exhibition, Renée Green weaves archival fragments, multimedia works, and poetic signage into a subtly disorienting narrative about geography, memory, and systems of knowledge.

Kim translates sound into something you can see. Her work is funny, sharp, and political in the best way—turning the rules of communication inside out.

Bhabha’s towering figures feel ancient and futuristic all at once. Rough, powerful, and oddly tender, they hold the tension of survival—scarred but standing tall.

Simpson’s figures are soulful, grounded, and strong. Each piece feels like a person who’s seen something—made of earth, but full of spirit.

Girlfriend Fund is proud to support Loie Hollowell: Space Between, A Survey of Ten Years at The Aldrich Contemporary Art Museum — a landmark exhibition tracing a decade of the artist’s exploration of abstraction, form, and the body. Through luminous color and sculptural depth, Hollowell transforms intimate experience into radiant geometry, inviting viewers to step into the space where emotion and material meet.

Shechet’s sculptures are all personality—leaning, twisting, almost breathing. She lets imperfection take the lead, and the result is pure joy.

Walker’s imagination is razor-sharp and devastating. She unspools American myth through paper, metal, and motion—beauty as a weapon, history as a haunting.

Galanin’s work is about reclamation—of story, place, and voice. Every piece dismantles the colonial gaze with precision and quiet fire.

In Timelapse, Sarah Sze constructs a world in motion—where images, objects, and sound collide in constantly shifting relationships. The exhibition captures time as fragmented and layered, reflecting how meaning is built through accumulation and attention.

Tania Pérez Córdova’s Generalization intertwines absence and presence through objects that carry traces of time, touch, and narrative. Each sculpture suggests a story—what was once there and what remains.

Humane Ecology: Eight Positions brings together eight artists exploring the complex relationship between humans and the natural world. Through sculpture, video, installation, and living materials, the exhibition reveals how ecological systems intersect with memory, migration, and identity.

Simpson invites you inside a house built from memory, myth, and her own ancestral architecture. Rooms filled with ceramics, textiles, video, and sculpture guide a journey through home, identity, and transformation.

Pattern meets physics. Language meets form. Auerbach builds worlds where everything vibrates just slightly out of sync—and that’s the point.

Wieser builds spaces that feel sacred and playful at once—mirrors, tiles, and gold leaf that make you part of the geometry.

Jacqueline Kiyomi Gork turns sound into sculpture you can walk through, lean against, and even feel beneath your feet. Poems of Electronic Air transforms the Carpenter Center into a playground of sonic blankets, inflatable architecture, and stone-crunching floors. Supported by Girlfriend Fund, it’s an invitation to listen with your whole body.

Hard Cover brings together six artists—Rose B. Simpson, Jane Irish, Sharon Hayes, Howardena Pindell, Judith Scott, and Wilmer Wilson IV—whose work explores protection, exposure, and the narratives we hide or reveal through material. Across fiber, film, clay, and collage, each artist opens a conversation on the physical and psychological covers we build to survive.

Sze’s installations are like living constellations—bits of paper, projection, and light suspended in motion. You don’t look at them, you wander through them.

B. Ingrid Olson bends architecture and the body until both start to shimmer. With History Mother and Little Sister, the Carpenter Center becomes a stage for mirrored limbs, carved reliefs, and architectural riffs that press photography and sculpture into playful, feminist conversation. Supported by Girlfriend Fund, these twin exhibitions are as sly as they are structural.